{"id":1256,"date":"2023-09-10T22:46:45","date_gmt":"2023-09-11T02:46:45","guid":{"rendered":"https:\/\/fredcpricephotographer.com\/?page_id=1256"},"modified":"2023-09-14T22:05:18","modified_gmt":"2023-09-15T02:05:18","slug":"the-60s","status":"publish","type":"page","link":"https:\/\/fredcpricephotographer.com\/?page_id=1256","title":{"rendered":"The 60&#8217;s"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=\u201d60px\u201d]\n        <div class=\"evo-module evo-large-text-module evo-inview-off text-center \" data-skin=\"default\"   >\n            <div class=\"evo-container\">\n                <div class=\"evo-item\">\n                    <span class=\"evo-hidden-el\"><\/span>\n                    <div class=\"evo-entry-content evo-700 evo-element\">\n                        <p>The 60's<\/p>\n                    <\/div><!-- evo-entry-content -->\n                <\/div><!-- evo-item -->\n            <\/div><!-- container -->\n        <\/div><!-- evo-module -->\n    [vc_empty_space height=\u201d60px\u201d][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=\u201d1\/3\u2033][\/vc_column][vc_column width=\u201d1\/3\u2033][vc_column_text]<\/p>\n<h3><span style=\"font-weight: 400;\">I started working professionally in photography in 1959. So the sixties were a time of exploration for me. <\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Using a variety of\u00a0 films, developers, papers, lenses etc. Bulk loading films for economy and for the adventure of using films not otherwise available. For a while I used gray window mats on dry mounted gray boards.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span> <span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Exploring a variety of subject matter, jazz clubs, street shooting, still life, nature, portrait, nudes, etc. And using 35mm,both range finder and single lens reflex,\u00a0 2 \u00bc and 4\u00d75 cameras.\u00a0 Using daylight, tungsten, and strobe lights.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Panchromatic, orthochromatic and infrared films, mostly black and white but some color both negative and slides and even some Polaroid were used. <\/span><span style=\"font-weight: 400;\">Some of these films were done for a while and never again, and others were followed through out my career. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Coming from Youngstown, Ohio, I was captivated by the visual New York. The buildings, both tenements and sky scrapers, used book stores, the jazz clubs, Chinatown, little Italy, the lower east side, the upper west side, all of it. The Staten island ferry, Chinatown at dawn for roast duck wonton.<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u201d1\/3\u2033][vc_column_text]<span style=\"font-weight: 400;\">The camera stores around herald square, the pawn shops with a zillion cameras in the windows, the used book stores on 4<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> avenue, the several radio rows. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The people seeming oblivious to their surroundings gave me an impulse to grab them and say,<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u201cHey! Look at that!\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">I much admired the New York City photography of W. Eugene Smith and WeeGee but I had no interest in emulating them. I could not have copied them if I tried, not then, not now.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">My biggest influences were the guys I worked for, the fine commercial photographer Dave Sussman, and the great Painter and photographer Ralston Crawford. I began to see what got my attention in the ground glass and viewfinder. It was the space between objects. It was the visual relationship between objects or shapes. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_empty_space height=\u201d60px\u201d][vc_empty_space height=\u201d60px\u201d][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=\u201d1\/3\u2033][\/vc_column][vc_column width=\u201d1\/3\u2033][vc_column_text] I started working professionally in photography in 1959. So the sixties were a time of exploration for me. Using a variety of\u00a0 films, developers, papers, lenses etc. Bulk loading films for economy and for the adventure of using films not otherwise available. For a while I used gray window mats [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-1256","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"norgard_image_a":false,"norgard_image_b":false,"norgard_image_c":false,"norgard_image_d":false,"norgard_image_e":false,"norgard_image_f":false,"norgard_image_g":false,"norgard_image_h":false,"norgard_image_i":false,"norgard_image_u":false,"norgard_image_v":false,"norgard_image_y":false,"norgard_image_w":false,"norgard_image_z":false,"norgard_image_ab":false,"norgard_image_ac":false,"norgard_image_ad":false,"norgard_image_ae":false},"uagb_author_info":{"display_name":"fredcpricephotographer.com","author_link":"https:\/\/fredcpricephotographer.com\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"[vc_row][vc_column][vc_empty_space height=\u201d60px\u201d][vc_empty_space height=\u201d60px\u201d][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=\u201d1\/3\u2033][\/vc_column][vc_column width=\u201d1\/3\u2033][vc_column_text] I started working professionally in photography in 1959. So the sixties were a time of exploration for me. Using a variety of\u00a0 films, developers, papers, lenses etc. Bulk loading films for economy and for the adventure of using films not otherwise available. For a while I used gray window mats&hellip;","_links":{"self":[{"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=\/wp\/v2\/pages\/1256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1256"}],"version-history":[{"count":13,"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=\/wp\/v2\/pages\/1256\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=\/wp\/v2\/pages\/1256\/revisions\/1383"}],"wp:attachment":[{"href":"https:\/\/fredcpricephotographer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}